Decoding Pedal Harp Music Notation: A Guide for Composers and Arrangers.
Understanding the conventions, symbols, and techniques for creating beautiful music on the pedal harp
The Pedal harp is a beautiful and unique instrument that has its own set of notation conventions. When writing sheet music for the pedal harp, there are several important things to keep in mind:
The range, the pedal changes, the harmonics, the fingerings and techniques, and the harp tuning systems. Understanding these conventions is essential for any musician looking to write music for the pedal harp in a clear and comprehensible way. Struggling to get relevant information on this rather niche topic? We got you! In the following lines, you’ll get a grasp on what to keep in mind and how to apply it when writing sheet music for the pedal harp!

Indicate the pedal changes
One of the most important things to understand when reading pedal harp music notation is the use of pedal changes. Pedals can be used to change the pitch of all strings of the same note across octaves. Though regular sheet music typically indicates them with standard accidentals (sharps, flats, or naturals) next to the notes, we can also find pedal diagrams. Let’s take a look at them:

Understanding the Pedal Diagram:
- Horizontal Line: The horizontal line represents the row of pedals on the harp.
- Vertical Lines: The vertical lines divide the diagram into segments, each representing a different pedal.
- Pedal Letters: Each segment corresponds to one of the seven pedals on a pedal harp, which are labeled (from left to right) as D, C, B, E, F, G, and A. These represent the pitches that each pedal controls.
Pedal Positions:
- Flat Position: If the symbol is placed above the line, it indicates the pedal should be in the upper position. That lowers the tension of the string, thus making the pitch flat.
- Natural Position: When placed in the middle of the line, it indicates the pedal should be in the first notch. If that’s the case, the note stays in its natural pitch.
- Sharp Position: If the rectangle is placed below the line, it indicates that the pedal should be in the second notch. Accordingly, it increases the tension on the string and makes the note sharp.

Don’t be afraid of the ledger lines
Another important aspect of pedal harp notation is the use of ledger lines. The pedal harp has a much larger range than most other instruments, and as such, it often requires the use of ledger lines to notate the very high and very low notes. Ledger lines are small horizontal lines that extend above or below the staff to indicate notes that are outside the normal range of the instrument. It is important to pay close attention to these lines, as they can be easily missed and can greatly affect the sound of the music.

Make the most of the Harp’s beautiful harmonics
Harmonics are a special technique on the harp. They create a bell-like sound and should be notated where they are to be played and sound one octave higher. However, the famous harpist and composer, Carlos Salzedo, chose to write harmonics where they sound. For this reason, a composer or arranger should always indicate, “Harmonics are played where written and sound an octave higher.”
Harmonics are played in two different ways:
- Right hand: Made by stopping the string with the knuckle of the index or middle finger and plucking with the thumb.
- Left hand: Made by stopping the string with the base of the hand in the middle of the string and plucking the string with the thumb. As the left hand moves up the harp, this hand position becomes awkward, and harpists will use the right-hand technique as necessary for comfort.
Help your fellow harpist by providing some fingering suggestions
Additionally, pedal harp notation often includes indications for hand position and technique. For example, fingerings may be indicated above or below the notes, and specific techniques such as glissandi, arpeggios, and trills may be indicated with special symbols. It is important to pay attention to these indications, as they can greatly affect the sound and expression of the music.

In summary, Pedal harp music notation is unique and specific, it requires a good understanding of the use of pedal changes, ledger lines, harmonics, hand position, and technique. With the right knowledge and practice, musicians can use these conventions to create beautiful and expressive music on the pedal harp. It is always recommended to seek professional guidance from a harp teacher in order to fully understand and master the notation conventions of this instrument.



6 Responses
These are NOT lever changes these are pedal changes. Please rename your article accordingly.
You are in the right, our original post mixed talked about the Lever harp while image examples corresponded to Pedal harp. It has been fixed, and we will gladly create a separate post for lever harp. Let us know if that’s something you would be interested in.
Your section entitled “Make the most of the Harp’s beautiful harmonics” is incorrect. Diamond-shaped notes are conventional for showing lever changes on a lever harp. They are not harmonics, but they are note changes. Avoid using the word “harmonic” to avoid confusion. It is musically correct to say lever changes create harmonic changes, but this can be ambiguous or confusing to harpists, who generally use the word “harmonic” to refer to a special technique (described below).
Harmonics are a special technique on the harp. They create a bell-like sound and should be notated where they are to be played and sound one octave higher. However, the famous harpist and composer, Carlos Salzedo, chose to write harmonics where they sound. For this reason, a composer or arranger should always indicate, “Harmonics are played where written and sound an octave higher.” PLEASE do not write harmonics where they sound.
Harmonics are played in two different ways:
1. Right hand: Made by stopping the string with the knuckle of the index or middle finger and plucking with the thumb.
2. Left hand: Made by stopping the string with the base of the hand in the middle of the string and plucking the string with the thumb. As the left hand moves up the harp, this hand position becomes awkward and harpists will use the right hand technique as necessary for comfort.
Your section, as notated, is showing how a LEVER harp can play a chromatic scale with carefully chosen harmonies to make sure only one lever is changed at a time and that the left hand is free to do so while only the right hand is playing.
Thank you for your comment. You are correct, and we’ve reviewed our post and updated it for accuracy. Your contribution has helped us greatly keeping this blog informative.
The section under “Pedal positions” is completely backwards. The pedal diagram reflects the physical position of the pedals: up, middle, or down. A pedal in the upper position is flat, not sharp. This is shown correctly in the image of pedal diagrams above, but in text it’s described backwards:
“Flat Position: If a symbol is placed in the bottom-notch of the diagram, it indicates that the pedal should be in the flat position.” The flat position is the upper position, not lower.
Thank you for your comment and your insight. We’ve reviewed our post and updated it for accuracy. Your contribution has helped us greatly.